Walter Gibbons

by John BushOne of the dance figures whose influence and exposure far exceeds his actual name-recognition association, Walter Gibbons pioneered the concept of the remix and 12-inch single in America. Influenced by Jamaican dub producers, Gibbons began altering tracks for his DJ sets in the early 70s, then took his innovations to the studio and recorded the first commercially available remix singles. He started his career as a DJ, and became one of the most popular mixers in New York by the early 70s. Gibbons began working for Salsoul Records in 1976, and recorded his first remix singles that year, Double Exposures Ten Percent and the Salsoul Orchestras Nice N Nasty. Utterly transformed with the addition of echo/reverb effects borrowed from dub and drum breaks, the singles influenced dozens of producers (and DJs).As well, the tracks influence hardly ended away from the dancefloor. Released on the 12-inch vinyl format at a cheap price, they became incredibly popular and soon spurred other labels (including the majors) to begin releasing their own 12-inch remix singles as well. Gibbons also worked on tracks for West End and Gold Mind during the late 70s, but was inactive for several years. He returned in 1984 with his most seminal record yet, a classic on New Yorks growing garage scene known as Set It Off. Gibbons original soon became the Roxanne, Roxanne of the garage community, swamped by dozens of remakes and answer tracks, including versions by C. Sharp, Maquerade, Number 1 and Strafe (the latter is undoubtedly the most-heard and definitive). He also remixed a 1986 Arthur Russell single for Sleeping Bag, Indian Oceans Tree House/School Bell, but later left the recording industry altogether. He died in 1994.