Faces

1945年出生最初还是足球队学徒的Rod Stewart在离开球队之后走上了流浪之路，起先在一些俱乐部串场，后来与传奇吉他手Jeff Beck结交一起组乐队，后来与乐队中另一吉他手Ron Wood于1969年组建Faces乐队，在组建乐队的同时，还有唱片公司与Rod Stewart签约，并为他出版个人专辑。由于乐队和Rod Stewart分别属于两家公司，使得两家公司打起了官司。但乐队的发展不是很顺利，使得乐队于1975年解散。
 
by Stephen Thomas Erlewine
 
When Steve Marriott left the Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the lineup and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. Instead, the Faces were a rough, sloppy rock & roll band, able to pound out a rocker like Had Me a Real Good Time, a blues ballad like Tell Everyone, or a folk number like Richmond all in one album. Stewart, already becoming a star in his own right, let himself go wild with the Faces, tearing through covers and originals with abandon. While his voice didnt have the power of Stewart, bassist Ronnie Lanes songs were equally as impressive and eclectic. Woods rhythm guitar had a warm, fat tone that was as influential and driving as Keith Richards style.
 
Notorious for their hard-partying, boozy tours and ragged concerts, the Faces lived the rock & roll lifestyle to the extreme. When Stewarts solo career became more successful than the Faces, the band slowly became subservient to his personality; after their final studio album, Ooh La La, in 1973, Lane left the band. After a tour in 1974, the band called it quits. Wood joined the Rolling Stones, drummer Kenny Jones eventually became part of the Who, and keyboardist Ian McLagan became a sought-after supporting musician; Stewart became a superstar, although he never matched the simple charm of the Faces.
 
While they were together, the Faces never sold that many records and were never considered as important as the Stones, yet their music has proven extremely influential over the years. Many punk rockers in the late 70s learned how to play their instruments by listening to Faces records; in the 80s and 90s, guitar rock bands from the Replacements to the Black Crowes took their cue from the Faces as much as the Stones. Their reckless, loose, and joyous spirit stayed alive in much of the best rock & roll of the subsequent decades.