Danjulo Ishizaka

简介: The son of a German-Japanese family born in Bonn, received his first cello lessons at the age of four. After completing studies with Hans Ch 更多>

The son of a German-Japanese family born in Bonn, received his first cello lessons at the age of four. After completing studies with Hans Christian Schweiker, he spent time in the United States studying at Indiana University. Boris Pergamenschikov, with whom he studied at the Hanns Eisler Conservatory in Berlin from 1998 until 2004, has been a fundamental influence on him, both artistically and personally. From 2004 to 2006, he studied at the Conservatory with Tabea Zimmermann. He has also been strongly influenced by Bernhard Greenhouse, Michael Denhoff, György Kurtág, Menahem Pressler and the Amadeus-Quartet.

After previously winning 1st prizes at the 1998 international Gaspar Cassado Cello Competition in Spain and the 1999 International Lutoslawski Cello Competition in Warsaw, Danjulo Ishizaka won the 1st prize at the renowned ARD international music competition in Munich, Germany in 2001. In 2002, he claimed the Grand Prix Emanuel Feuermann of the Kronberg Academy and the Universität der Künste in Berlin - this competition, under the patronage of Daniel Barenboim, was created in honor of the 100th anniversary of the birth of the legendary cellist, Emanuel Feuermann.

Danjulo Ishizaka’s debut at the Vienna Musikverein with the Vienna Symphonic Orchestra under the baton of Krzysztof Penderecki in November 2003 marked the launch of his international career. Since then he has been performing around the world with leading orchestras such as the Gewandhaus Orchester zu Leipzig, the Bavarian Radio Symphony Orchestra, the Radio-Sinfonie-Orchester Frankfurt, the Dresden Philharmonic Orchestra, the Bamberg Symphony Orchestra, NHK Symphony Orchestra, the Tokyo Symphony Orchestra, Prague Symphony Orchestra, the Baltimore Symphony Orchestra, the Mariinsky Theater Symphony Orchestra, the Royal Philharmonic Orchestra, the London Philharmonic Orchestra, the BBC Philharmonic Orchestra, Lucerne Symphony Orchestra, the Orchestre Philharmonique du Luxembourg, the Orchestre National de Belgique, the Budapest Festival Orchester the Academy of St. Martin in the Fields, the Zurich Chamber Orchestra and the Munich Chamber Orchestra.

Among others, he performed under the baton of conductors such as Gerd Albrecht, John Axelrod, Sir Andrew Davis, Christoph Eschenbach, Lawrence Foster, Michail und Vladimir Jurowski, Sir Roger Norrington, Christoph Poppen, Mstislaw Rostropovich and Leonard Slatkin.

He worked in close collaboration with Rostropovich. The cello legend described Ishizaka’s performance with these words: “phenomenal in his technical ability, perfect in his musical creative power”.

Danjulo Ishizaka was chosen for BBC Radio 3's renowned "New Generation Artists scheme," providing him with the opportunity to make numerous studio recordings in 2007 and 2008 – solo, with piano and with the five BBC Symphony Orchestras – as well as debut recitals at Wigmore Hall London.

Ishizaka is regularly invited to perform at renowned music festivals such as the Bachwoche Ansbach, Cellofestival in Kronberg, te Schleswig-Holstein Musik Festival, the Penderecki Festival, the Rheingau Musik Festival, the Kissinger Sommer, the Kammermusikfest Lockenhaus, the BBC Proms, the Verbier Festival, the Luzern Festival, the City of London Festival, the Manchester Cello Festival, the HongKong Arts Festival and the Salzburg Easter Festival.

His international concert schedule regularly takes him throughout Europe, Asia and the US. In March 2006 he had his debut at Carnegie Hall in New York City.

Ishizaka has performed chamber music with artists including Gidon Kremer, Lisa Batiashvili, Viviane Hagner, Tabea Zimmermann, Julia Fischer, Baiba Skride, Antje Weithaas, Veronika Eberle and Ray Chen. Pianists José Gallardo, Martin Helmchen, Shai Wosner and Markus Schirmer are among his recital partners.

On his debut CD with Sony BMG, he recorded sonatas by Britten, Franck and Mendelssohn-Bartholdy with pianist Martin Helmchen. In 2006 the CD was awarded the “Echo Klassik” award of the German Phonographic Academy.

During the past season 2013/13 Danjulo Ishizaka performed with the London Philharmonic Orchestra, with the NHK Symphony Orchestra and Sir Roger Norrington, with the Orchestre National de Belgique and Hugh Wolff, with the Opéra National de Paris with Philippe Jordan as well as with l'Orchestre National des Pays de la Loire and John Axelrod.

At the end of 2012 Danjulo Ishizaka was honored with the Hideo Saito Memorial Fund Award, one of Japan’s biggest music awards, awarded by the Sony Music Foundation in Tokyo.

In 2013 and 2014 Danjulo Ishizaka is going to debut - alongside several re-invites to the Berlin Philharmonic Hall, the Musikverein Wien, the Concertgebouw Amsterdam - with the Radio Symphony Orchestra Vienna with Krzysztof Penderecki, the Yomiuri Nippon Symphony Orchestra with Masahiko Koenji and at the Haydn Festspiele with the Austrian-Hungarian Haydn Philharmonic Orchestra with Adam Fischer. During the Spring 2015 a recital tour is to follow with pianist Shai Wosner in conjunction with the release of their common CD Album with Onyx comprising works by Grieg, Janacek and Kodály.

He’s a member of jury panels of international Cello competitions such as the 2013 editions of the International Instrumental Competition Markneukirchen and the International Penderecki Cello Competition in Kraków as well as the 2014 editions of the International Grand Prix Emanuel Feuermann in Berlin and the 2015 edition of the International Lutoslawski Competition in Warsaw.

Danjulo Ishizaka has performed on the Stradivari Cello “Lord Aylesford” (1696), previously played by Gregor Piatigorsky and Janos Starker from 2004 to 2014 loan to him from the Nippon Music Foundation. From 2014 on he’s playing on the Feuermann Stradivari (1730) previously played by the legendary Emanuel Feuermann and later by Steven Isserlis, also on loan to him from Nippon Music Foundation. In addition Danjulo Ishizaka performs on the Wolfgang Schnabl cello, formerly played by Boris Pergamenschikov and provided by the Kronberg Academy.

Danjulo Ishizaka is currently Professor for cello at the Carl Maria von Weber University of Music in Dresden.

Danjulo Ishizaka的歌

推荐资讯

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 📝 为什么每个创作者都需要专属选题素材库?做内容创作的人,大概都遇到过这种情况:灵感来了的时候文思泉涌,可没灵感的时候盯着屏幕半天写不出一个字。更...

232 2025-10-05
公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

你可能觉得公众号注册就是填几个信息的事,殊不知,这里面的每个选择都像蝴蝶扇动翅膀,未来三年的运营轨迹可能就被悄悄改变了。很多人刚开始没当回事,等到后面想调整,才发现处处受限,那叫一个后悔。今天就跟你好好聊聊,注册时那些看似不起眼的选择,到底能给未来的运营带来多大影响。​📌账号类型选不对,三年运营路难

581 2025-10-05
2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

📌 2025 公众号托管服务的底层逻辑:不是代运营,是 “结果交付” 这年头做公众号托管,还只停留在帮客户发文章、改排版?趁早别干了。2025 年的托管服务早就变了味儿 —— 客户要的不是 “做了什...

246 2025-10-05
AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

上周帮同事核查一篇AI写的行业报告,发现里面把2023年的用户增长率写成了2025年的预测数据。更离谱的是,引用的政策文件号都是错的。现在AI生成内容速度快是快,但这种硬伤要是直接发出去,读者信了才真叫坑人。今天就掰开揉碎了说,AI写作怎么做好事实核查,别让你的头条文章变成 误导重灾区 。​📌AI写

432 2025-10-05
10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

🎯维度一:选题像打靶,靶心必须是「用户情绪储蓄罐」做内容的都清楚,10w+爆文的第一步不是写,是选。选题选不对,后面写得再好都是白搭。高手选选题,就像往用户的「情绪储蓄罐」里投硬币,投对了立刻就能听到回响。怎么判断选题有没有击中情绪?看三个指标:是不是高频讨论的「街头话题」?是不是藏在心里没说的「抽

916 2025-10-05
135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

📌135编辑器会员值不值得买?AI模板库和秀米H5谁更胜一筹?🔍135编辑器会员的核心价值解析企业级商用保障与效率提升135编辑器的企业会员堪称新媒体运营的「合规保险箱」。根据实际案例,某团队通过企业会员节省了大量设计费用,完成多篇内容创作,单篇成本从千元降至百元内。这得益于其海量正版模板和素材库,

218 2025-10-05
新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及2025恢复指南🔍新公众号限流的核心原因解析新公众号被限流,往往是多个因素叠加的结果。根据2025年最新数据,超过70%的限流案例与内容质量直接相关。比如,有些新手喜欢用“震惊体”标题,像“惊!某公众号三天涨粉十万”,这类标题在2025年的算法里已经被明确标记

343 2025-10-05
AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

⚠️AI内容重复率高的3大核心原因现在用AI写东西的人越来越多,但很多人都会遇到同一个问题——重复率太高。明明是自己用工具生成的内容,一检测却显示和网上某些文章高度相似,这到底是为什么?最主要的原因是AI训练数据的重叠性。不管是ChatGPT还是国内的大模型,训练数据来源其实大同小异,都是爬取的互联

145 2025-10-05
135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

🌟135编辑器:公众号运营者的效率革命做公众号运营的朋友都知道,排版是个费时费力的活。一篇文章从内容到排版,没几个小时根本搞不定。不过现在好了,135编辑器的出现,彻底改变了这一现状。135编辑器是提子科技旗下的在线图文排版工具,2014年上线至今,已经成为国内新媒体运营的主流工具之一。它的功能非常

226 2025-10-05