Tatum Greenblatt

简介: Tatum Greenblatt has established himself as one of the most in-demand trumpet players on New York City's music scene. Named by Wynton Marsal 更多>

Tatum Greenblatt has established himself as one of the most in-demand trumpet players on New York City's music scene. Named by Wynton Marsalis as one of his favorite up-and-coming trumpet players, Greenblatt has performed with Marsalis, as well as with Joe Lovano, Jazz at Lincoln Center Orchestra, The Mingus Legacy Bands, Maria Schneider, India.Arie, George Gruntz, Donny McCaslin, David Berger, Christian McBride, Jimmy Cobb, Jeremy Pelt, Sara Gazarek, Reggie Workman, George Garzone and the Duke Ellington Orchestra, among many others. After earning his Master's Degree from The Juilliard School, Tatum can now be heard performing all over the world with The Richard Bona Group, and frequently around New York City with The Mingus Big Band, Orrin Evans' Captain Black Big Band, the Fat Cat Big Band, and Pedro Giraudo Jazz Orchestra. In May 2011 at the request of Jazz at Lincoln Center, Greenblatt formed and led the Essentially Ellington All-Stars Band, performing to sold-out audiences at Dizzy's Club Coca-Cola. His latest album Imprints, his third as a leader, was released to critical acclaim in March, 2012, earning a "Critic's Pick" from DownBeat Magazine.
A native of Seattle, WA, Tatum Greenblatt grew up in a musical household with a musician/educator father and filmmaker/educator mother. With frequent rehearsals and impromptu jam sessions often popping up in the family living room, Greenblatt picked up drumming while still a toddler, emulating the musicians who were often at his house to play, and became enamored of the music in his father's record collection. "My favorite above all others was Art Blakey and The Jazz Messangers," Greenblatt recalls, "particularly the album Ugetsu with Freddie Hubbard on trumpet. I used to ask my parents to put it on when I was two years old."
At the age of 9 Tatum picked up the trumpet, and one year later began performing with Imperials, a local music and youth organization. Seattle's excellent music programs, which produced several great young musicians including Anne Drummond, Aaron Parks, and a host of others, offered Greenblatt the chance to thrive at an early age. He played his first professional gig, performing with his father, when he was only in the 5th grade. "I was lucky to have some incredible teachers—Robert Knatt in middle school, Clarence Acox at Garfield High School," Greenblatt remembers. "I gigged in Seattle throughout high school and got to tour Europe twice during that time."
One of Greenblatt's biggest influences at the time was Patience Higgins, a highly respected saxophone teacher, professional gigging musician in New York City, and close friend of Greenblatt's father. Higgins stayed with the family when he came through Seattle, tutoring Greenblatt and offering advice on the life of a New York musician. Higgins connected Greenblatt with John Longo, Wynton Marsalis' former teacher, as well as Stanford Davis and Laurie Frink. Higgins continued to mentor Greenblatt after he moved to New York, with the two often meeting up at the regular jam session Higgins lead at St. Nick's Pub in Harlem.
A turning point in Greenblatt's education and professional development came when he participated in Jazz at Lincoln Center's Essentially Ellington High School Band Competition program as a junior and senior. It was during Essentially Ellington that he initially met Wynton Marsalis, leading to a three-hour private lesson with the trumpet great and ongoing lessons when Greenblatt moved to New York City at the age of 18 to attend The New School for Jazz and Contemporary Music. In addition to Marsalis, the move to New York spurred lessons with such trumpet luminaries as Laurie Frink, Joe Magnarelli, Terrell Stafford, Jimmy Owens, Mark Gould, and Chris Jaudes. Jam sessions at New York clubs such as Cleopatra's Needle, Zinc Bar, and Smalls, and work with his classmates at the New School drove Greenblatt to explore experimental, Latin, hip-hop, rock, ska, and pop music, greatly expanding his musical horizons.
As his education continued, trumpeter Jeremy Pelt became an important mentor to Greenblatt as well, leading to his first experiences playing with The Mingus Big Band. This exciting time period also included a trip to Freiburg, Germany, for a jazz workshop with the New School (International Association of Schools of Jazz). Legendary Swiss pianist, composer, and big band leader George Gruntz, president of the association that year, presided over the workshop, leading to an offer for Greenblatt to tour with his band. Greenblatt went on to earn his Master's Degree at the Juilliard School, traveling, performing, and conducting educational workshops along the way. While still in school, Greenblatt embarked on three European tours with George Gruntz, performed in two concert series with the Jazz at Lincoln Center Orchestra, began performing regularly with The Mingus Big Band, and subbing in Broadway musical orchestras. By the time he graduated, Greenblatt had solidified his place as one of New York's top young trumpet players.
In addition to touring and performing, Greenblatt has taken on the role of music educator. He began giving private lessons as early as the 7th grade, so it is natural that his desire to give back extends into his professional career. He spent five years as a Teaching Artist with the Midori and Friends Program, teaching jazz band and private lessons at an inner city New York high school, and has served as a small-ensemble instructor at The New School. He helped lead educational workshops internationally while attending Juilliard, and has recently lead workshops with The Mingus Big Band at the University of Vermont and at the annual Mingus High School Competition and Festival.

Tatum Greenblatt的歌

推荐资讯

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 📝 为什么每个创作者都需要专属选题素材库?做内容创作的人,大概都遇到过这种情况:灵感来了的时候文思泉涌,可没灵感的时候盯着屏幕半天写不出一个字。更...

341 2025-10-06
公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

你可能觉得公众号注册就是填几个信息的事,殊不知,这里面的每个选择都像蝴蝶扇动翅膀,未来三年的运营轨迹可能就被悄悄改变了。很多人刚开始没当回事,等到后面想调整,才发现处处受限,那叫一个后悔。今天就跟你好好聊聊,注册时那些看似不起眼的选择,到底能给未来的运营带来多大影响。​📌账号类型选不对,三年运营路难

998 2025-10-06
2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

📌 2025 公众号托管服务的底层逻辑:不是代运营,是 “结果交付” 这年头做公众号托管,还只停留在帮客户发文章、改排版?趁早别干了。2025 年的托管服务早就变了味儿 —— 客户要的不是 “做了什...

537 2025-10-06
AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

上周帮同事核查一篇AI写的行业报告,发现里面把2023年的用户增长率写成了2025年的预测数据。更离谱的是,引用的政策文件号都是错的。现在AI生成内容速度快是快,但这种硬伤要是直接发出去,读者信了才真叫坑人。今天就掰开揉碎了说,AI写作怎么做好事实核查,别让你的头条文章变成 误导重灾区 。​📌AI写

336 2025-10-06
10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

🎯维度一:选题像打靶,靶心必须是「用户情绪储蓄罐」做内容的都清楚,10w+爆文的第一步不是写,是选。选题选不对,后面写得再好都是白搭。高手选选题,就像往用户的「情绪储蓄罐」里投硬币,投对了立刻就能听到回响。怎么判断选题有没有击中情绪?看三个指标:是不是高频讨论的「街头话题」?是不是藏在心里没说的「抽

762 2025-10-06
135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

📌135编辑器会员值不值得买?AI模板库和秀米H5谁更胜一筹?🔍135编辑器会员的核心价值解析企业级商用保障与效率提升135编辑器的企业会员堪称新媒体运营的「合规保险箱」。根据实际案例,某团队通过企业会员节省了大量设计费用,完成多篇内容创作,单篇成本从千元降至百元内。这得益于其海量正版模板和素材库,

970 2025-10-06
新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及2025恢复指南🔍新公众号限流的核心原因解析新公众号被限流,往往是多个因素叠加的结果。根据2025年最新数据,超过70%的限流案例与内容质量直接相关。比如,有些新手喜欢用“震惊体”标题,像“惊!某公众号三天涨粉十万”,这类标题在2025年的算法里已经被明确标记

258 2025-10-06
AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

⚠️AI内容重复率高的3大核心原因现在用AI写东西的人越来越多,但很多人都会遇到同一个问题——重复率太高。明明是自己用工具生成的内容,一检测却显示和网上某些文章高度相似,这到底是为什么?最主要的原因是AI训练数据的重叠性。不管是ChatGPT还是国内的大模型,训练数据来源其实大同小异,都是爬取的互联

499 2025-10-06
135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

🌟135编辑器:公众号运营者的效率革命做公众号运营的朋友都知道,排版是个费时费力的活。一篇文章从内容到排版,没几个小时根本搞不定。不过现在好了,135编辑器的出现,彻底改变了这一现状。135编辑器是提子科技旗下的在线图文排版工具,2014年上线至今,已经成为国内新媒体运营的主流工具之一。它的功能非常

148 2025-10-06