Yuri Bashmet

简介: 俄罗斯中提琴家,生于顿河边的罗斯托夫,在当地音乐学院学习,主修小提琴,为演奏吉它而改学中提琴。1971年入莫斯科学院拜俄罗斯中提琴学派奠基人鲍里索夫斯基为师,后又随杜鲁金宁学习,1976年获慕尼黑中提琴比赛大奖。巴什梅特被称为普利姆罗斯之后最伟大的中提琴演奏家,他善于演奏20世纪 更多>

俄罗斯中提琴家,生于顿河边的罗斯托夫,在当地音乐学院学习,主修小提琴,为演奏吉它而改学中提琴。1971年入莫斯科学院拜俄罗斯中提琴学派奠基人鲍里索夫斯基为师,后又随杜鲁金宁学习,1976年获慕尼黑中提琴比赛大奖。巴什梅特被称为普利姆罗斯之后最伟大的中提琴演奏家,他善于演奏20世纪的中提琴作品,最拿手的是兴德米特与施尼特凯的作品。
 
Principal Conductor, Novaya Rossiya State Symphony Orchestra
Artistic Director, Moscow Soloists
Artistic Director, December Nights Festival, Moscow
 
Through his virtuosity, strength of personality and high intelligence, Yuri Bashmet has given the viola a new prominence in musical life.
 
The pre-eminent viola player of the modern age, he has motivated the leading composers of our time to expand the repertoire with significant new music.  He is Artistic Director of the December Nights Festival, Moscow, Principal Conductor of the Novaya Rossiya State Symphony Orchestra, and is the founder/director of Moscow Soloists.  He also appears throughout the world in the dual role of conductor/soloist.
 
Born in 1953 in Rostov-on-Don in Russia, he spent his childhood in Lviv in Ukraine before studying at the Moscow Conservatoire with Vadim Borisovsky (of the Beethoven Quartet) and Feodor Druzhinin.  His international career was launched in 1976 when he won the International Viola Competition in Munich. Since then he has appeared with all the world’s great orchestras, including the Berlin and Vienna Philharmonics, Royal Concertgebouw Orchestra, Boston, Chicago and Orchestre Symphonique de Montréal, New York Philharmonic, London Philharmonic and the London Symphony Orchestra, which presented its own Yuri Bashmet Festival.
 
He has inspired many composers to write for him, and has enjoyed strong personal and professional relationships with Alfred Schnittke and Sofia Gubaidulina in particular.  Schnittke’s Viola Concerto, written for him, is now firmly established in the repertoire.  Other concertos composed for him include works by Poul Ruders, Alexander Tchaikovsky and Alexander Raskatov. He has also given the world premieres of Styx by Giya Kancheli, The Myrrh Bearer by John Tavener and On Opened Ground by Mark-Anthony Turnage – all of which were written for him.
 
In December 2002 Bashmet became Principal Conductor of the newly formed Symphony Orchestra of New Russia, with which he has embarked upon a series of concerts in Moscow, with touring plans in Russia, Italy, France and the UK.  Other orchestras with which he appears as conductor/soloist include the Dresdner Philharmoniker, Orquesta Ciudad de Granada, Tokyo Philharmonic, Orchestra Sinfonica di Milano Giuseppe Verdi, Camerata Salzburg, Royal Liverpool Philharmonic, Saint Paul Chamber Orchestra, Orchestra del Maggio Musicale Fiorentino and Brussels Philharmonic.  He is also founder of Moscow Soloists, an ensemble he has performed with and directed throughout the world since 1992.  This renowned chamber orchestra has been rapturously received in Moscow, Amsterdam, Paris, Tokyo, New York and at the BBC Proms, London.
 
In chamber music his closest collaborators have included Sviatoslav Richter, Gidon Kremer, Mstislav Rostropovich, Maxim Vengerov, Natalia Gutman, Viktoria Mullova and the Borodin Quartet.  He formed a highly successful trio with mezzo-soprano Angelika Kirchschlager and pianist Jean-Yves Thibaudet, showcasing music of the past and present for this unusual and evocative combination.  Other recent chamber music projects include Beethoven trios with Anne Sophie Mutter and Lyn Harrell.  He is a frequent visitor to summer festivals such as Elbe, Verbier and Martha Argerich’s festival in Japan.
 
Among his many CDs is a recording for Deutsche Grammophon of the Gubaidulina Concerto and Kancheli Styx, winner of a Diapason d’Or award and a Grammy nomination.  Other notable DG discs are Mozart’s Sinfonia Concertante with Anne-Sophie Mutter, Brahms’s Piano Quartet No 1 with Argerich, Kremer and Maisky, and the recently released Bartók Concerto with Berliner Philharmoniker and Boulez.  For Onyx he and Moscow Soloists have embarked on a critically-acclaimed series of recordings; chamber symphonies by Shostakovich, Sviridoc and Vainberg; music by Stravinsky and Prokofiev (which received a Grammy award); and a disc of music by composers from the Far East, plus a recital disc of Encores with pianist Mikhail Muntian.
 
Described by The Times as ‘without doubt, one of the world’s greatest living musicians’, Yuri Bashmet brings an enquiring and perceptive mind to life beyond classical music; he is an enthusiast for the Beatles and Jimi Hendrix and has hosted his own political discussion show on Russian television.  He plays a 1758 Testore viola (a similar model to the one Mozart played) which he bought in 1971.

Yuri Bashmet的歌

推荐资讯

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 📝 为什么每个创作者都需要专属选题素材库?做内容创作的人,大概都遇到过这种情况:灵感来了的时候文思泉涌,可没灵感的时候盯着屏幕半天写不出一个字。更...

196 2025-10-05
公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

你可能觉得公众号注册就是填几个信息的事,殊不知,这里面的每个选择都像蝴蝶扇动翅膀,未来三年的运营轨迹可能就被悄悄改变了。很多人刚开始没当回事,等到后面想调整,才发现处处受限,那叫一个后悔。今天就跟你好好聊聊,注册时那些看似不起眼的选择,到底能给未来的运营带来多大影响。​📌账号类型选不对,三年运营路难

732 2025-10-05
2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

📌 2025 公众号托管服务的底层逻辑:不是代运营,是 “结果交付” 这年头做公众号托管,还只停留在帮客户发文章、改排版?趁早别干了。2025 年的托管服务早就变了味儿 —— 客户要的不是 “做了什...

281 2025-10-05
AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

上周帮同事核查一篇AI写的行业报告,发现里面把2023年的用户增长率写成了2025年的预测数据。更离谱的是,引用的政策文件号都是错的。现在AI生成内容速度快是快,但这种硬伤要是直接发出去,读者信了才真叫坑人。今天就掰开揉碎了说,AI写作怎么做好事实核查,别让你的头条文章变成 误导重灾区 。​📌AI写

504 2025-10-05
10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

🎯维度一:选题像打靶,靶心必须是「用户情绪储蓄罐」做内容的都清楚,10w+爆文的第一步不是写,是选。选题选不对,后面写得再好都是白搭。高手选选题,就像往用户的「情绪储蓄罐」里投硬币,投对了立刻就能听到回响。怎么判断选题有没有击中情绪?看三个指标:是不是高频讨论的「街头话题」?是不是藏在心里没说的「抽

714 2025-10-05
135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

📌135编辑器会员值不值得买?AI模板库和秀米H5谁更胜一筹?🔍135编辑器会员的核心价值解析企业级商用保障与效率提升135编辑器的企业会员堪称新媒体运营的「合规保险箱」。根据实际案例,某团队通过企业会员节省了大量设计费用,完成多篇内容创作,单篇成本从千元降至百元内。这得益于其海量正版模板和素材库,

589 2025-10-05
新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及2025恢复指南🔍新公众号限流的核心原因解析新公众号被限流,往往是多个因素叠加的结果。根据2025年最新数据,超过70%的限流案例与内容质量直接相关。比如,有些新手喜欢用“震惊体”标题,像“惊!某公众号三天涨粉十万”,这类标题在2025年的算法里已经被明确标记

795 2025-10-05
AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

⚠️AI内容重复率高的3大核心原因现在用AI写东西的人越来越多,但很多人都会遇到同一个问题——重复率太高。明明是自己用工具生成的内容,一检测却显示和网上某些文章高度相似,这到底是为什么?最主要的原因是AI训练数据的重叠性。不管是ChatGPT还是国内的大模型,训练数据来源其实大同小异,都是爬取的互联

601 2025-10-05
135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

🌟135编辑器:公众号运营者的效率革命做公众号运营的朋友都知道,排版是个费时费力的活。一篇文章从内容到排版,没几个小时根本搞不定。不过现在好了,135编辑器的出现,彻底改变了这一现状。135编辑器是提子科技旗下的在线图文排版工具,2014年上线至今,已经成为国内新媒体运营的主流工具之一。它的功能非常

591 2025-10-05