Tina May

简介: Tina May (born 30 March 1961) is an English female jazz vocalist who has recorded several albums on the 33 Records label, born in Gloucester 更多>

Tina May (born 30 March 1961) is an English female jazz vocalist who has recorded several albums on the 33 Records label, born in Gloucester, U.K.. She lived in Frampton-on-Severn when she was young, and attended Stroud High School. Her ex-husband, Clark Tracey, appears on most of her albums for the label. May has also worked with Tony Coe and Nikki Iles.
Tina started exploring and developing her jazz sensibilities at University College, Cardiff. She attended vocal studies with Eilleen Price in the music dept. and almost immediately teamed up with other musicians to form small bands.She joined the Welsh Jazz Soc. run by Jed Williams and was soon a regular listening to Sweets Edison, Eddie'Lockjaw' Davies, Al Cohn and many, many more at The Lions Den' in the Great Western Hotel in Cardiff. As a student of French ,Tina knew she would have the opportunity of living in France for a year as part of her degree course. She chose to study in Paris and began her apprenticeship in Jazz when ,by chance, she met up with some aspiring young music students, who invited her to 'faire un boeuf' - have a jam with them.These musicians were Pascal Gaubert and Patrick Villanueva - who recorded with Tina on the 'live in Paris' album nearly twenty years later! Very soon Tina was performing at Le Slow Club with the Roger Guerin Big Band with special guest Kenny Clarke - such a great drummer and sweet man. Le Caveau de la Huchette became another regular gig for Tina and the band. Tina formed a quartet with Patrick Villanueva, Renaud Garcia-Fons, Alain Richard and they performed allover Paris . At that time Tina was also involved in theatre and especially comedy review- something she felt a great affinity with. She met up with another talented thespian Rory Bremner who was already writing sketches and performing his hilarious monologues and skits on politics. Together Tina and Rory performed 'You are Eiffel but I like You (!)' - a review show which they took from Paris to the Edinburgh Fringe re-naming it 'Midnight Excess'. Tina was singing some amusing jazz songs like 'I'm hip' and doing some bi-lingual and 'franglais' originals as well as acting alongside Rory. Happy times !
Let's skip a few years - theatre companies, tours. Tina loved to collaborate with her first real musical soulmate, Dylan Fowler, great guitarist and composer from south Wales. Together they played in quartet, quintet and then nonet - which became Frevo - the band led by Dylan with brazilian rhythma but original compositions - and lyrics by Tina. This band performed at Bath Festival ( where Tina was invited to sing by Egberto Gismonti's trio), Edinburgh Fest. and Cork as well as touring the uk .
Tina decided it was time to move to London to further her musical aspirations. At first she was acting in a french-speaking theatre co. called Bac to Bac (as in le Bac) - which was a great experience - working with actors Tom Ray, Freddie Rostand and Jackie Robinson .Life was action-packed for Tina would be doing performances and workshops by day and gigging by night. Early musical friends were Robin Aspland (who plays on 'I'll take Romance'), Johnny Gee, Mornington Locket, Mick Hutton , Don Weller and many others who frequented the legendary 606 Club in Fulham .This was the latenight hang and place to jam 'til dawn . Tina also at that time would go and listen to her heroes at Ronnie Scotts Club - listening to Art Blakey, Cedar Walton , Irakere , Flora Purim and many others night after night. Tina did not renew her contract with Bac to Bac and went freelance - singing jazz for a living.
A lot can happen by accident -serendipity is a great way of describing it . It means a happy accident. When Tina sent a demo cd to 33 Arts Centre in Luton- she thought she was applying for a gig. Paul Jolly rang her up and asked if she was recording for anyone at that time- ie a record label. He offered her a recording - which took place at the famous Abbey Road studios that winter of '91 for 33Records , the beginning of a long association with Paul at 33. Tina had given birth th her first child in august '89 , Ben, and so she was no stranger to the 'juggling' of roles required to be a working mum with her teaching, workshops and masterclasses alongside performances . The quartet was an all-star one : David Newton , recently down from Scotland, on piano, Dave Green on doublebass, Clark Tracey on drums and Don Weller on tenor saxophone. What a band !
At this time Tina was a soloist in The Ellington Sacred Concert performed at Durham Cathedral with the Stan Tracey Big Band - which had within it stellar players: Peter King, Guy Barker, Jamie Talbot, Art Themen...and many more. On this occasion there was the vintage tap-dancer Will Gaines who danced to 'David danced before the Lord' - a wonderful moment -especially when Will led the choristers off the stage skipping and dancing like the Pied Piper! Tina performed this work many times with Stan's band and also with The Echoes of Ellington Orchestra in San Sebastien with their famous San Sebastien choir. The work was recorded by 33 Records entitled the Durham Connection.
Tina continued to appear in festivals , broadcast with the BBC Big band and record with her group. The following album , entitled 'Fun ' was a more hard-swinging affair with the title track Tina's vocalese dedicated to Cannonball Adderley's band. The tune was written by Nat , his brother, and he was delighted that Tina should pay tribute to his late brother in this way (Nat was extremely fond of Cannonball). Another connection at this time which went back to Tina's days in Paris was with 'The Paris Reunion Band', which featured Nat Adderley, Joe Henderson, Curtis Fuller and Nathan Davis. This brought back memories of Kenny Clarke who was also a great friend of Nathan Davis and Mike Hennessey , who like Tina , had all played with Kenny and lived in Paris as young 'cats'. Nathan has been a great family friend ever since.
Tina started winning awards as well as friends through her singing. In 1993 she was awarded a silver medal by The Worshipful Company of Musicians . This was the first of it's kind to a young musician and she was thrilled to receive it. This also coincided with Tina's first week at Ronnie Scotts with her own band .
Tina toured Australia with the 'Fun' album and also appeared at the award winning HongKong Jazz Club - Tina first trip to the Far East. Ben came too and enjoyed unusual breakfasts of Dim Sum and walks alongside Wallabies in Melbourne Zoo , for instance. Nice times.
Back home and in Europe -more festivals Prerov in Czech republic, Munich and Augsburg. Albums 'It Ain't Necessarily So'- which featured the Britten String quartet with arrangements by Colin Towns. Tina enjoyed this combination of voice and string that in the follow-up album 'Time Will Tell' -the quartet was joined by the string quartet on some tracks . This time the string quartet was required to groove a little more with arrangements by Clark Tracey and they were the wonderful Lochrian String Quartet led by Levine Andrade.
Tina felt she wanted to change the line-up of the band a little.. Gemma , Tina's second child was now on the scene !
Tina worked with Nikki Iles and Nikki's trio for the first time when she was guesting in Halifax and Hull. It was obvious to them both that there was a great musical affinity between them.Nikki was, at that time, based in Leeds and on that first occasion working together Tina's dad baby-sat Gemma at the hotel while they did the concert. Tina invited Nikki to join the band and a great musical partnership was born.
First came the duo album 'Change of Sky' with Tina and Nikki performing some unusual material like Donald Fagan's 'On the dunes' as well as a Phil Springer's 'Change of Sky' - a forgotten classic. All the while Tina and Nikki and the quartet continue to tour, teach and masterclass their way up and down the country. Both Tina and Nikki have a firm commitment to teaching and enabling young and old to get more involved in the making of jazz music - which leads to more enjoyment of the whole experience.
In between times Tina wanted to try a new sound within the ensemble- more of a chamber concept . This resulted in Nikki and Tina being joined by none other than Alan Barnes who on 'One Fine Day' plays all horns( baritone, bass clarinet, alto, tenor......) This was also the first time Tina recorded Ray Bryant's tune Cubano Chant with lyrics by Linda Aziza Miller. Ray knew of Tina's work and had sent her this song. He was happy with the result and when later they met up in (of course) Paris and talked about a joint project of his music and her lyrics - another musical friendship was born.
In 1998 Tina was presented with the vocal jazz award at the BT Jazz Awards having topped the critics choice for several years prior to that. This was, indeed, a fun event as the award was presented to Tina by her old friend, Rory Bremner. Another coincidence from Paris came the booking at the famous 'Club Lionel Hampton' at the Meridien Hotel, Paris. To her absolute delight Tina was able to team up with old student friends ( now professionals) Patrick Villanueva and Pascal Gaubert. The rest of the band were Pierre Maingourd and Daniel Garcia. This was a happy reunion and was repeated a year and a half later with a recording made at the same club' Live In Paris'- also on 33Records.
The year 2000 was quite a year for Tina -one event was of special significance a performance at Shakespeare's Globe Theatre . This was a real celebration across generations starring Cleo Laine, John Dankworth, Stan Tracey, Mark Nightingale, Jim Watson ....as well as Tina. All past Worshipful Company of Musician medal winners performed - on a glorious summer night - a perfect evening indeed!
Later on Tina went to the IAJE conference in New York, meeting up again with Ray Bryant and arranger/producer Don Sickler to firm up plans for the Ray Bryant Songbook project.
In january 2002 Tina and Nikki performed at the IAJE conference Longbeach , California. They were very happy to receive awards for 'outstanding services to Jazz Education '.
November 2002 Tina recorded with Ray Bryant at the Rudy Van Gelder Studio, Englewood Cliffs - the definitive 'Ray Bryant Songbook' produced and arranged by Don Sickler. Rudy engineered it himself, assisted by Maureen Sickler. More info to follow with release details......
Tina's latest release 'I'll take Romance' features Scott Hamilton who has worked on and off with Tina and Nikki for a few years now - especially with Tina at the Pizza Express Hogmanay party 5 yrs in a row !
Now , finally , they are on disc together . A wonderful musical meeting of like minds thanks to Linn Records.
During the summer of 2002 Tina presented a series of twelve programmes on BBC Wales TV, featuring performances from the 2001 Brecon Festival, entitled 'Brecon Jazz Festival'. In 2003, this series will have a wider audience by being transmitted on BBC 4 too!
2004 was a really busy year with performances including: New Yorks 'Jazz Standard' with The Ray Bryant Songbook- featuring Ray himself and Don Sickler amongs other New York luminaries , Paris'Le Sunset' Club with Patrick Villanueva, London's 'Ronnie Scotts' with her regular quartet featuring Nikki Iles. Also the album 'More Than You Know' was released with Tony Coe on tenor sax and clarinet with Nikki Iles on piano - this marked 33Jazz label '100th release' and was celebrated at London's Pizza Express Jazz Club in Dean Street, Soho. Also Tina's First Vocal Summer School in France took place in the Loire in France.
2005 performances nationally and internationally with own group - also appearances on BBC radio 'Live at the Stables' for Dame Cleo Laine and Sir John Dankworth. Also appeared on 'Friday Night is Music Night' as guest soloist. A collaboration with US saxophonist Nathan Davis led to a concert at Cambridge University with Robin Aspland, Jeremy Brown and Steve Brown. Tina's Second Vocal Jazz Summer School was a great success once more in France.
2006 Saw finally the release of 'The Ray Bryant Songbook' - licenced to 33Jazz by producer Don Sickler.This historic recording was well received nationally/internationally by the press( see Reviews).
Also released was 'A Wing and A Prayer - a live recording with Stan Sulzmann and Nikki Iles - also on 33Jazz and well reviewed. This featured an original lyric by Tina to Kenny Wheeler's 'Gentle Piece' and also her lyric to Joe Henderson's 'Black Narcissus'.
International Festival performances included Ginza Jazz Festival inTokyo, Japan, Poland, Austria, Germany, France and many more. As in previous years Tina's Vocal Summer School was very successful in France.
2007 - Concerts and Festivals brought , once again, work with the 'Echoes of Ellington' band - directed by Pete Long . Tina was a featured soloist in the Duke Ellington Sacred Concert at the Dukes Hall, at the Royal Academy Of Music in London. Brecon Jazz Festival performance August '07 followed by a change of venue for Tina's Jazz Vocal Summer School to Certaldo in beautiful Tuscany. Other tutors on the course : Nikki Iles, Iain Mackenzie, Guillermo Rozenthuler and many top Italian Jazz Musicians . The globalmusicfoundation.org has been organising workshops in Certaldo for many years and Tina is very happy to be working with such a creative organisation. For more details - check-out the website.
Tour dates are planned with Ray Bryant in Europe and the States - news on those will be posted on the live dates page!
2008 - Tina performs in french theatre production 'Lady In the Dark' (photo right by Bertrand Stofleth).

Tina May的歌

推荐资讯

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 📝 为什么每个创作者都需要专属选题素材库?做内容创作的人,大概都遇到过这种情况:灵感来了的时候文思泉涌,可没灵感的时候盯着屏幕半天写不出一个字。更...

824 2025-10-06
公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

你可能觉得公众号注册就是填几个信息的事,殊不知,这里面的每个选择都像蝴蝶扇动翅膀,未来三年的运营轨迹可能就被悄悄改变了。很多人刚开始没当回事,等到后面想调整,才发现处处受限,那叫一个后悔。今天就跟你好好聊聊,注册时那些看似不起眼的选择,到底能给未来的运营带来多大影响。​📌账号类型选不对,三年运营路难

558 2025-10-06
2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

📌 2025 公众号托管服务的底层逻辑:不是代运营,是 “结果交付” 这年头做公众号托管,还只停留在帮客户发文章、改排版?趁早别干了。2025 年的托管服务早就变了味儿 —— 客户要的不是 “做了什...

809 2025-10-06
AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

上周帮同事核查一篇AI写的行业报告,发现里面把2023年的用户增长率写成了2025年的预测数据。更离谱的是,引用的政策文件号都是错的。现在AI生成内容速度快是快,但这种硬伤要是直接发出去,读者信了才真叫坑人。今天就掰开揉碎了说,AI写作怎么做好事实核查,别让你的头条文章变成 误导重灾区 。​📌AI写

550 2025-10-06
10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

🎯维度一:选题像打靶,靶心必须是「用户情绪储蓄罐」做内容的都清楚,10w+爆文的第一步不是写,是选。选题选不对,后面写得再好都是白搭。高手选选题,就像往用户的「情绪储蓄罐」里投硬币,投对了立刻就能听到回响。怎么判断选题有没有击中情绪?看三个指标:是不是高频讨论的「街头话题」?是不是藏在心里没说的「抽

425 2025-10-06
135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

📌135编辑器会员值不值得买?AI模板库和秀米H5谁更胜一筹?🔍135编辑器会员的核心价值解析企业级商用保障与效率提升135编辑器的企业会员堪称新媒体运营的「合规保险箱」。根据实际案例,某团队通过企业会员节省了大量设计费用,完成多篇内容创作,单篇成本从千元降至百元内。这得益于其海量正版模板和素材库,

878 2025-10-06
新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及2025恢复指南🔍新公众号限流的核心原因解析新公众号被限流,往往是多个因素叠加的结果。根据2025年最新数据,超过70%的限流案例与内容质量直接相关。比如,有些新手喜欢用“震惊体”标题,像“惊!某公众号三天涨粉十万”,这类标题在2025年的算法里已经被明确标记

683 2025-10-06
AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

⚠️AI内容重复率高的3大核心原因现在用AI写东西的人越来越多,但很多人都会遇到同一个问题——重复率太高。明明是自己用工具生成的内容,一检测却显示和网上某些文章高度相似,这到底是为什么?最主要的原因是AI训练数据的重叠性。不管是ChatGPT还是国内的大模型,训练数据来源其实大同小异,都是爬取的互联

924 2025-10-06
135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

🌟135编辑器:公众号运营者的效率革命做公众号运营的朋友都知道,排版是个费时费力的活。一篇文章从内容到排版,没几个小时根本搞不定。不过现在好了,135编辑器的出现,彻底改变了这一现状。135编辑器是提子科技旗下的在线图文排版工具,2014年上线至今,已经成为国内新媒体运营的主流工具之一。它的功能非常

507 2025-10-06