简介： “The Robot Ate Me的世界，是三个低调独立的另类家伙的遮阳伞和避风港，在这首歌里，他们用一种近乎童话式的和声忧伤旋律构造了一个随风漂移的避难所，并且用一种闭着眼睛倒着走的方式，逃离了现实的冷酷与挫折，只身赶赴只有一个人的约会，一路上还陶然自乐，唱着只有天上跌跌撞撞的 更多>
“The Robot Ate Me的世界，是三个低调独立的另类家伙的遮阳伞和避风港，在这首歌里，他们用一种近乎童话式的和声忧伤旋律构造了一个随风漂移的避难所，并且用一种闭着眼睛倒着走的方式，逃离了现实的冷酷与挫折，只身赶赴只有一个人的约会，一路上还陶然自乐，唱着只有天上跌跌撞撞的云朵才能听懂的歌，一支简单真挚，清凉澄净的低调小曲”
by Margaret Reges
Ryland Bouchard masterminded the idiosyncratic, experimental indie pop project the Robot Ate Me in 2002. His first album, They Ate Themselves, which was comprised of the kind of drifting, spacy indie pop that nodded to bands like Sparklehorse and the Flaming Lips, was released on Swim Slowly that year. The album made ripples in the indie scene, and the following year found Bouchard on tour backed by David Greenberg, Are-Jay Hoffman, and William Haworth. The Robot Ate Me's sophomore album, 2004's On Vacation, turned out to be Bouchard's final release on Swim Slowly; the album was re-released the following year on 5 Rue Christine the following year. 2005 also heralded the release of Bouchard's third studio album, Carousel Waltz, which was arguably one of Bouchard's most pop-oriented releases to date, offering up delectably restrained indie pop tracks like "Bad Feelings." Bouchard's fourth album, Good World, came out the following year; it found the artist returning to the manic, experimental sound that characterized his pre-Carousel works.
