Autopsy

美国老式死亡金属乐队Autopsy，音乐以中速慢速为主，沉重、阴暗、压抑，作品当中弥漫着恐怖气息，某些曲目的节奏非常缓慢，从而营造出一种逼真的死亡氛围，与现今很多死亡金属存在着明显的气质差别。
by Eduardo Rivadavia
Often credited as the originators of the death metal offshoot style called Grindcore, gross-out experts Autopsy had a short but, erm, colorful history. Founded by ex-Death drummer Christ Reifert shortly after he relocated to San Francisco in 1987, the group was rounded out by guitarists Eric Cutler and Danny Coralles and bassist Ken Sorvari, with Reifert also handling vocal duties. Signed to U.K.-based indie label Peaceville on the strength of 1988's Critical Madness demo, they released their debut Severed Survival two years later. Mirroring the work of fledgling English Grindcore groups like Napalm Death and Carcass, the album combined traditional death metal vocals and aggression with slower, grinding riffs and utterly repellent splatter-gore lyrics. It also boasted a cameo from another Death alum, bassist Steve DiGiorgio, but Steve Cutler was handling the four string workload come 1991 -- a busy year which saw them issuing two E.P.'s, Fiend for Blood and Retribution for the Dead as well as long player named Mental Funeral. None of these seemed to aid the band's cause, however, and neither did 1992's Acts of the Unspeakable album (featuring next bassist Josh Barohn), which is perhaps best remembered for cover artwork so shocking, Australian customs officials immediately confiscated all units upon arrival. A long period of inactivity followed, but Autopsy eventually returned for a final gratuitous and scatological adieu via 1995's Shitfun album, featuring yet another bassist, one Freeway Migliore. Finally satisfied that they'd wreaked enough havoc, Reifert and Coralles moved on to a new project called Abscess and the former later joined Nuclear Assault's Danny Lilker in the Ravenous. 2001 saw the release of a best of set entitled Torn from the Grave, but assuming this will wrap up the band's trajectory may only encourage them to make a comeback (so let's not and say we did).