The Good Rats

Formed in 1964, the original group consisted of 5 students from St. John’s University…Ted Haenlein, Frank Stapleton, Eric Crane, Denny Ryan and Peppi Marchello. The group was originally called the U-Men and played most of their gigs in the Rockaways (Peyton Place & McNultys) & Long Island (The Attic, Tiger’s Tail etc.). In 1966, Frank Stapleton’s brother, John, arranged for the group to play at a club in Queens, New York (The John Doe Room) where a record company executive heard them and eventually signed the band, but suggested a name change was in order. The band continued to play top 40 covers while working on their own original music. During the latter part of the sixties, the composition of the band changed…by 1968, Eric, Frank and Ted (drafted and went to Viet Nam, but did rejoin the group from 1970-72) were gone, replaced by Peppi’s brother, Mickey, and Crazy Artie (bass).In 1969, the band released their first album, the self-titled The Good Rats. In 1972, the lineup changed, with guitarist John “The Cat” Gatto, bass player Lenny Kotke and drummer Joe Franco joining the Marchello brothers. The Good Rats continued to build a following, playing Long Island’s thriving club scene, along with other notable names such as Twisted Sister, Zebra, and Rat Race Choir.In 1974, the Good Rats released their best-known and most popular album, Tasty. It featured a blend of hard and progressive rock with subtle jazz influences, highlighted by Marchello’s powerful and raspy vocals.by Greg Prato
While countless rockers started their careers in the New York suburb of Long Island before going on to worldwide success (Billy Joel, Twisted Sister, Steve Vai, Brian Setzer, Blue Öyster Cult, etc.), there have been countless acts that appeared poised for a breakthrough, but for whatever reason, fell short. Many longtime followers of Long Island-based rock would probably agree that tops on the 'woulda/coulda/shoulda' list were the Good Rats, a group who played at some of the East Coast's best-known/biggest venues (Madison Square Garden, Nassau Coliseum, the Philadelphia Spectrum) during the '70s, while opening for such big names as Aerosmith, Ozzy Osbourne, the Grateful Dead, Bruce Springsteen, Kiss, Journey, Heart, Styx, Meat Loaf, and Rush, among others. Specializing in a tough form of bar band/hard rock (comparable to Led Zeppelin early on, before getting more commercial), quite a few bandmembers have waltzed through the Good Rats' ranks since their formation during the late '60s, but through it all, lead vocalist Peppi Marchello has been present. Originally consisting of Marchello, drummer Joe Franco (later briefly a member of Twisted Sister), bassist/vocalist Lenny Kotke, plus a pair of guitarists/singers, John "The Cat" Gatto and Mickey Marchello. Debuting in 1969 with The Good Rats, a frustrating trend would soon follow for the group -- their albums would be well-received by their large, local fan base and regional radio, but would fail to connect to other parts of the continent. It was the group's sophomore effort, 1974's Tasty, that would spawn one of the Good Rats best-known songs: the jazzy title track, which remains a staple on Long Island-based classic rock radio. It was also around this time that the Good Rats caught the attention of guitarist Tommy Bolin (through a mutual friend), who was earning raves at the time due to his flashy guitar work for the likes of Billy Cobham and Deep Purple. Bolin was so impressed with the group that he had the management of one of his favorite clubs, Denver's Ebbets Field, hire the group, which resulted in a jam session with Bolin and drummer Carmine Appice on a rousing cover of Cobham's "Stratus," which would appear years later on the Bolin compilation Bottom Shelf (Bolin sadly died from a heroin overdose two years later). Although some groups would have quickly given up because of all the turbulence the Good Rats experienced, Marchello and company admirably continued to soldier ahead -- continuing to issue strong yet overlooked albums (1978's Rats to Riches and Birth Comes to Us All, 1979's Rat City in Blue, and 1981's Great American Music, the latter of which featured future Kiss guitarist Bruce Kulick). After laying low for a few years, Peppi put together a whole new version of the Good Rats in the early '90s, featuring his son, guitarist Gene Marchello, who was a member of the short-lived-'80s pop-metal outfit, Marchello. After their rebirth, the Good Rats began issuing all-new studio albums, including 1996's Tasty Seconds and 2002's Play Dum. The original lineup of the Good Rats has been known to sporadically reunite for gigs, such as a pair of shows in Rochester, New York, in October of 1998, which saw the 'new' Good Rats open for the original Good Rats.
Formed in 1964, the original group consisted of 5 students from St. John’s University…Ted Haenlein, Frank Stapleton, Eric Crane, Denny Ryan and Peppi Marchello. The group was originally called the U-Men and played most of their gigs in the Rockaways (Peyton Place & McNultys) & Long Island (The Attic, Tiger’s Tail etc.). In 1966, Frank Stapleton’s brother, John, arranged for the group to play at a club in Queens, New York (The John Doe Room) where a record company executive heard them and eventually signed the band, but suggested a name change was in order. The band continued to play top 40 covers while working on their own original music. During the latter part of the sixties, the composition of the band changed…by 1968, Eric, Frank and Ted (drafted and went to Viet Nam, but did rejoin the group from 1970-72) were gone, replaced by Peppi’s brother, Mickey, and Crazy Artie (bass).
In 1969, the band released their first album, the self-titled The Good Rats. In 1972, the lineup changed, with guitarist John “The Cat” Gatto, bass player Lenny Kotke and drummer Joe Franco joining the Marchello brothers. The Good Rats continued to build a following, playing Long Island’s thriving club scene, along with other notable names such as Twisted Sister, Zebra, and Rat Race Choir.
In 1974, the Good Rats released their best-known and most popular album, Tasty. It featured a blend of hard and progressive rock with subtle jazz influences, highlighted by Marchello’s powerful and raspy vocals.