九酷音乐网Cinephile歌词
He loved movies
He loved The Big Sleep,
The Big Chill and The Big Easy
He loved Al Pacino in the Godfather
And Rita Hayworth in Gilda
He loved the golf match in Goldfinger
And the sharp twist in the Crying Game
He loved westerns where
The morality of the hero was suspect
And romances where her true love
Was there in front of the heroine from scene one
He loved period drama
And samurai epics
And political thrillers
And detective features
But most of all
He loved movies of his wife
Our firm always gave him the most
Personal of attention
And by the time he died
None of his friends were left alive
So as junior partner I got to spend a week
In his Primlico townhouse
Sifting though books, suits, furniture
And sixty-three cans of super 8 film
He was known to sit in his study
Into the small hours
Alone with the flickering screen
A glass of wine and the quiet
Chattering of the projector
Each reel had a date inscribed in careful black ink
I watched them from first to last
In that same study where
The curtains drawn and a pot
of Darjeeling by my elbow
They were all studies
Portraits if you will
In the early sequences she is shy
Hiding behind doors
Raising her hand above the shot
Her plain gold wedding-band prominent
After a spool or two she relaxes
And begins to play to the camera
Spinning in the garden
Swirling a scarf around her head
Blowing kisses and pointing a stern finger
The subsequent reels are the most intimate
As she learns to forget she is on film
We see her reading at the window
Nibbling her nails, talking on the telephone
And slowly, dreamily combing her hair
In one feature length sleep sequence
She barely moves and eyelid
But the cracks begin to show after ten
or eleven spools
Where once she was relaxed
She is now uncomfortable in the frame
Her expression, her whole body language
Becomes defensive and strained
Still the images continue recording
Her in the same locations
Around the house, the same outfits
With a hand on her hip
She lectures a point beside the camera
She waves at him to stop filming
Yet the footage continues unyielding
And the reels stack up
Repeatedly shot after shot after shot
She leaves various rooms
Trapped for a few seconds she screams
In silence, tearing at her hair
And eventually she throws things
Their marriage lasted eight and a half months
And for thirty-seven years afterwards
He sat until late in his study
Feeding the projector and blinking in the half-light
He loved those movies
He loved The Big Sleep,
The Big Chill and The Big Easy
He loved Al Pacino in the Godfather
And Rita Hayworth in Gilda
He loved the golf match in Goldfinger
And the sharp twist in the Crying Game
He loved westerns where
The morality of the hero was suspect
And romances where her true love
Was there in front of the heroine from scene one
He loved period drama
And samurai epics
And political thrillers
And detective features
But most of all
He loved movies of his wife
Our firm always gave him the most
Personal of attention
And by the time he died
None of his friends were left alive
So as junior partner I got to spend a week
In his Primlico townhouse
Sifting though books, suits, furniture
And sixty-three cans of super 8 film
He was known to sit in his study
Into the small hours
Alone with the flickering screen
A glass of wine and the quiet
Chattering of the projector
Each reel had a date inscribed in careful black ink
I watched them from first to last
In that same study where
The curtains drawn and a pot
of Darjeeling by my elbow
They were all studies
Portraits if you will
In the early sequences she is shy
Hiding behind doors
Raising her hand above the shot
Her plain gold wedding-band prominent
After a spool or two she relaxes
And begins to play to the camera
Spinning in the garden
Swirling a scarf around her head
Blowing kisses and pointing a stern finger
The subsequent reels are the most intimate
As she learns to forget she is on film
We see her reading at the window
Nibbling her nails, talking on the telephone
And slowly, dreamily combing her hair
In one feature length sleep sequence
She barely moves and eyelid
But the cracks begin to show after ten
or eleven spools
Where once she was relaxed
She is now uncomfortable in the frame
Her expression, her whole body language
Becomes defensive and strained
Still the images continue recording
Her in the same locations
Around the house, the same outfits
With a hand on her hip
She lectures a point beside the camera
She waves at him to stop filming
Yet the footage continues unyielding
And the reels stack up
Repeatedly shot after shot after shot
She leaves various rooms
Trapped for a few seconds she screams
In silence, tearing at her hair
And eventually she throws things
Their marriage lasted eight and a half months
And for thirty-seven years afterwards
He sat until late in his study
Feeding the projector and blinking in the half-light
He loved those movies
CinephileLRC歌词
[00:03.253]
[00:35.592]He loved movies
[00:38.675]He loved The Big Sleep,
[00:40.138]The Big Chill and The Big Easy
[00:43.821]He loved Al Pacino in the Godfather
[00:46.041]And Rita Hayworth in Gilda
[00:49.777]He loved the golf match in Goldfinger
[00:52.337]And the sharp twist in the Crying Game
[00:58.162]He loved westerns where
[00:59.729]The morality of the hero was suspect
[01:02.681]And romances where her true love
[01:05.398]Was there in front of the heroine from scene one
[01:09.682]He loved period drama
[01:11.276]And samurai epics
[01:12.529]And political thrillers
[01:13.809]And detective features
[01:15.194]But most of all
[01:17.440]He loved movies of his wife
[01:23.684]Our firm always gave him the most
[01:25.356]Personal of attention
[01:27.550]And by the time he died
[01:29.300]None of his friends were left alive
[01:32.670]So as junior partner I got to spend a week
[01:34.969]In his Primlico townhouse
[01:36.797]Sifting though books, suits, furniture
[01:40.376]And sixty-three cans of super 8 film
[01:44.634]He was known to sit in his study
[01:46.097]Into the small hours
[01:47.298]Alone with the flickering screen
[01:49.362]A glass of wine and the quiet
[01:51.452]Chattering of the projector
[01:54.665]Each reel had a date inscribed in careful black ink
[01:59.341]I watched them from first to last
[02:01.352]In that same study where
[02:03.155]The curtains drawn and a pot
[02:04.356]of Darjeeling by my elbow
[02:07.099]They were all studies
[02:09.450]Portraits if you will
[02:13.238]In the early sequences she is shy
[02:15.589]Hiding behind doors
[02:17.313]Raising her hand above the shot
[02:19.116]Her plain gold wedding-band prominent
[02:22.877]After a spool or two she relaxes
[02:24.862]And begins to play to the camera
[02:26.587]Spinning in the garden
[02:27.840]Swirling a scarf around her head
[02:29.643]Blowing kisses and pointing a stern finger
[02:34.240]The subsequent reels are the most intimate
[02:37.349]As she learns to forget she is on film
[02:40.536]We see her reading at the window
[02:42.782]Nibbling her nails, talking on the telephone
[02:45.212]And slowly, dreamily combing her hair
[02:49.522]In one feature length sleep sequence
[02:53.049]She barely moves and eyelid
[02:56.366]But the cracks begin to show after ten
[02:58.560]or eleven spools
[03:00.520]Where once she was relaxed
[03:01.747]She is now uncomfortable in the frame
[03:04.516]Her expression, her whole body language
[03:06.737]Becomes defensive and strained
[03:09.323]Still the images continue recording
[03:11.465]Her in the same locations
[03:13.032]Around the house, the same outfits
[03:16.402]With a hand on her hip
[03:18.466]She lectures a point beside the camera
[03:21.261]She waves at him to stop filming
[03:23.638]Yet the footage continues unyielding
[03:25.989]And the reels stack up
[03:28.732]Repeatedly shot after shot after shot
[03:32.102]She leaves various rooms
[03:34.688]Trapped for a few seconds she screams
[03:37.222]In silence, tearing at her hair
[03:40.461]And eventually she throws things
[03:45.320]Their marriage lasted eight and a half months
[03:48.428]And for thirty-seven years afterwards
[03:50.387]He sat until late in his study
[03:52.712]Feeding the projector and blinking in the half-light
[04:00.497]He loved those movies
[00:35.592]He loved movies
[00:38.675]He loved The Big Sleep,
[00:40.138]The Big Chill and The Big Easy
[00:43.821]He loved Al Pacino in the Godfather
[00:46.041]And Rita Hayworth in Gilda
[00:49.777]He loved the golf match in Goldfinger
[00:52.337]And the sharp twist in the Crying Game
[00:58.162]He loved westerns where
[00:59.729]The morality of the hero was suspect
[01:02.681]And romances where her true love
[01:05.398]Was there in front of the heroine from scene one
[01:09.682]He loved period drama
[01:11.276]And samurai epics
[01:12.529]And political thrillers
[01:13.809]And detective features
[01:15.194]But most of all
[01:17.440]He loved movies of his wife
[01:23.684]Our firm always gave him the most
[01:25.356]Personal of attention
[01:27.550]And by the time he died
[01:29.300]None of his friends were left alive
[01:32.670]So as junior partner I got to spend a week
[01:34.969]In his Primlico townhouse
[01:36.797]Sifting though books, suits, furniture
[01:40.376]And sixty-three cans of super 8 film
[01:44.634]He was known to sit in his study
[01:46.097]Into the small hours
[01:47.298]Alone with the flickering screen
[01:49.362]A glass of wine and the quiet
[01:51.452]Chattering of the projector
[01:54.665]Each reel had a date inscribed in careful black ink
[01:59.341]I watched them from first to last
[02:01.352]In that same study where
[02:03.155]The curtains drawn and a pot
[02:04.356]of Darjeeling by my elbow
[02:07.099]They were all studies
[02:09.450]Portraits if you will
[02:13.238]In the early sequences she is shy
[02:15.589]Hiding behind doors
[02:17.313]Raising her hand above the shot
[02:19.116]Her plain gold wedding-band prominent
[02:22.877]After a spool or two she relaxes
[02:24.862]And begins to play to the camera
[02:26.587]Spinning in the garden
[02:27.840]Swirling a scarf around her head
[02:29.643]Blowing kisses and pointing a stern finger
[02:34.240]The subsequent reels are the most intimate
[02:37.349]As she learns to forget she is on film
[02:40.536]We see her reading at the window
[02:42.782]Nibbling her nails, talking on the telephone
[02:45.212]And slowly, dreamily combing her hair
[02:49.522]In one feature length sleep sequence
[02:53.049]She barely moves and eyelid
[02:56.366]But the cracks begin to show after ten
[02:58.560]or eleven spools
[03:00.520]Where once she was relaxed
[03:01.747]She is now uncomfortable in the frame
[03:04.516]Her expression, her whole body language
[03:06.737]Becomes defensive and strained
[03:09.323]Still the images continue recording
[03:11.465]Her in the same locations
[03:13.032]Around the house, the same outfits
[03:16.402]With a hand on her hip
[03:18.466]She lectures a point beside the camera
[03:21.261]She waves at him to stop filming
[03:23.638]Yet the footage continues unyielding
[03:25.989]And the reels stack up
[03:28.732]Repeatedly shot after shot after shot
[03:32.102]She leaves various rooms
[03:34.688]Trapped for a few seconds she screams
[03:37.222]In silence, tearing at her hair
[03:40.461]And eventually she throws things
[03:45.320]Their marriage lasted eight and a half months
[03:48.428]And for thirty-seven years afterwards
[03:50.387]He sat until late in his study
[03:52.712]Feeding the projector and blinking in the half-light
[04:00.497]He loved those movies
Cinephile歌词，CinephileLRC歌词
歌曲名：Cinephile 歌手：Cinephile 所属专辑：《Special Edition Digital Sampler: Volume One》
作词： 作曲： 发行公司：未知 发行时间：2024-01-08
歌曲ID：3653678 分类：Special Edition Digital Sampler: Volume One 语言： 大小：4.08 MB 时长：04:28秒 比特率：129K 评分：0.0分
介绍：《Cinephile》 是 Cinephile 演唱的歌曲，时长04分28秒，由作词，作曲，该歌曲收录在Cinephile2024年的专辑《Special Edition Digital Sampler: Volume One》之中，如果您觉得好听的话，就把这首歌分享给您的朋友共同聆听，一起支持歌手Cinephile吧！
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