Destruction

简介: DESTRUCTION(毁灭)欧洲最有影响力的Thrash Metal(鞭鞑金属)乐队,80年代初期,他们的音乐风格、舞台形象、歌词内容都已经涉及到了现在所谓“极端金属”的概念。
 
从首张EP唱片Sentence Of De 更多>

DESTRUCTION(毁灭)欧洲最有影响力的Thrash Metal(鞭鞑金属)乐队,80年代初期,他们的音乐风格、舞台形象、歌词内容都已经涉及到了现在所谓“极端金属”的概念。
 
从首张EP唱片Sentence Of Death(判死刑)一路狂飙,特别是Infernal Overkill(地狱大屠杀)、Eternal Devastation(永恒毁灭),赢得了来自全球每个角落的追随者与忠实的歌迷的支持。从1983年开始到1989年的6年中,他们经历了所有的辉煌。世界最顶级金属乐队的待遇、全球巡回演出、被人津津乐道的唱片、数以百万的唱片销量以及无数歌迷的拥戴。DESTRUCTION再第一极端发表的唱片和相关作品可谓是“启蒙”。他们的音乐和当时远在美国的乐队遥相呼应,共同打开了80年代Thrash Metal的辉煌时代!对九十年代无数向往黑暗和极端的金属乐队造成了深远影响。很多评论人因此也喜欢把他们与SODOM、KREATOR并称德国“激流/死亡金属三巨头”。
 
* * *
 
Destruction are a German thrash metal band. They are considered one of the &three kings& of the Teutonic thrash metal scene, the others being Kreator and Sodom. All three of these bands are often credited with helping pioneer black metal by containing several elements of what was to become the genre. Destruction were originally named Knight of Demon, but changed their name in 1984. For most of the 1990s, Destruction were not signed to a major record label and were forced to self-produce their albums until they signed a contract with Nuclear Blast in the 2000s.
 
Inspired by Iron Maiden, Mercyful Fate, Motörhead and Venom, Destruction were formed as Knight of Demon in 1982. The original line-up featured vocalist and bassist Marcel 'Schmier' Schirmer, drummer Tommy Sandmann, and guitarist Mike Sifringer. They soon changed their name to Destruction and released a demo titled Bestial Invasion of Hell in 1984. After this the group signed with Steamhammer Records and released an EP titled Sentence of Death later that year.
 
Destruction released their first full-length album titled Infernal Overkill in 1985, followed by Eternal Devastation in 1986. The trio then added a second guitarist, Harry Wilkens, and released the EP Mad Butcher in 1987, followed by the full length album Release from Agony in 1988, then a live recording Live Without Sense in 1989, and Cracked Brain in 1990. In 1989, Schmier left the band and Mike Sifringer continued to release albums under the moniker of &Neo-Destruction&.
 
In 1999, Schmier rejoined, and things began to look up for the band as they signed a record deal with Nuclear Blast. They then released three more albums: All Hell Breaks Loose in 2000, The Antichrist in 2001, and Metal Discharge in 2003. The band would then sign with AFM Records and release Inventor of Evil in 2005. In February 2011, Destruction released Day of Reckoning.
 
A European tour with Overkill was scheduled for March 2011. Headlining dates in South America and North America were being planned for April and May.
 
The band's latest album, Spiritual Genocide, was released in November 23, 2012.
 
(wiki)
 
* * *
 
by Eduardo Rivadavia
 
Together with their countrymen Kreator and Sodom, Germany's Destruction constituted the dominating triumvirate of Teutonic thrash metal during the 1980s. And even though they ultimately failed to match these peers in terms of commercial success and longevity, at least two of their albums still qualify among the crème de la crème of the decade's speed metal. Heavy metal underwent a worldwide revolution in the early '80s, when the lingering lessons from '70s giants like Black Sabbath and Judas Priest crashed head-on with the D.I.Y. ethos of punk rock and the sheer velocity of Motörhead to spawn the much ballyhooed New Wave of British Heavy Metal, which, in turn sparked a far more powerful and lasting bastard offspring: thrash metal. Of all the nations contaminated by this musical virus as it proliferated unchecked, Germany was second only to the U.S. in terms of widespread infection.
 
Among its earliest contenders, there was Hamburg's Helloween, Essen's Kreator, and, from the town of Weil am Rhein in the Fatherland's southwestern tip, Destruction. Formed in 1983 from the remnants of an earlier band named Knight of Demon, Destruction brought together towering vocalist/bassist Marcel Schirmer (aka Schmier), diminutive guitarist Mike Sifringer, and drummer Tommy Sandmann. Looking to take advantage of the bustling worldwide tape-trading network responsible for breaking most of the '80s biggest heavy metal bands, the trio immediately set about recording and circulating its Bestial Invasion demo to critics and fans alike. It wasn't long before Germany's own Steamhammer label came calling with a record deal, and Destruction's Sentence of Death EP was released in 1984, soon to be followed by 1985's Infernal Overkill LP. Both of these were surprisingly proficient affairs fueled by raw aggression and youthful energy, and Destruction toured Germany with Slayer later that year, before taking part in the legendary WWIII Festival in Montreal, Canada, alongside Celtic Frost, Voivod, and other rising stars of extreme metal.
 
Eternal Devastation Once they returned home, the bandmembers got to work on their second album, 1986's well-received Eternal Devastation, but lost founding drummer Sandmann shortly before heading out on the road again, this time with fellow Teutonic thrashers Rage. Thankfully, Sodom's Chris &Witchhunter& Dudeck was able to step in until they could find a permanent replacement in Oliver Kaiser. Additional guitarist Harry Wilkens was also brought on board at this time, and, after testing this new lineup on 1987's Mad Butcher EP, Destruction delivered what many consider their finest album, 1988's Release from Agony. Not all fans were in agreement, however, as the newfangled quartet's far more technical, almost progressive-leaning direction also rubbed hardcore constituents the wrong way. Being chosen as the opening band for Celtic Frost's disastrous Cold Lake tour was another unexpected setback, and, confirming that things were not right within the Destruction camp, popular frontman Schmier was unceremoniously sacked shortly after the release of 1989's Live Without Sense to make way for &more capable& replacements in vocalist Andre Grieder (ex-Poltergeist) and bassist Christian Engler.
 
Cracked Brain Feeling betrayed, upset fans made their feelings known by staying away in droves from 1990's Cracked Brain album, as well as subsequent offerings like 1994's Destruction, 1995's Them Not Me (both EPs introducing new vocalist Thomas Rosenmerkel and guitarist Michael Piranio), and particularly 1998's career low The Least Successful Human Cannonball. Schmier, in the meantime, had formed a new band called Headhunter and busied himself with the operation of his own restaurant -- but he couldn't resist the opportunity to finally reunite with former partner in crime Sifringer as well as drummer Sven Vormann, and relaunch Destruction at the dawn of the new millennium. Since then, 2000's All Hell Breaks Loose, 2001's The Antichrist, and 2003's Metal Discharge (featuring drummer Marc Reign) have been released by Nuclear Blast, and 2005's Inventor of Evil and 2007's Thrash Anthems by AFM Records.

Destruction的歌

推荐资讯

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 📝 为什么每个创作者都需要专属选题素材库?做内容创作的人,大概都遇到过这种情况:灵感来了的时候文思泉涌,可没灵感的时候盯着屏幕半天写不出一个字。更...

651 2025-10-08
公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

你可能觉得公众号注册就是填几个信息的事,殊不知,这里面的每个选择都像蝴蝶扇动翅膀,未来三年的运营轨迹可能就被悄悄改变了。很多人刚开始没当回事,等到后面想调整,才发现处处受限,那叫一个后悔。今天就跟你好好聊聊,注册时那些看似不起眼的选择,到底能给未来的运营带来多大影响。​📌账号类型选不对,三年运营路难

130 2025-10-08
2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

📌 2025 公众号托管服务的底层逻辑:不是代运营,是 “结果交付” 这年头做公众号托管,还只停留在帮客户发文章、改排版?趁早别干了。2025 年的托管服务早就变了味儿 —— 客户要的不是 “做了什...

851 2025-10-08
AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

上周帮同事核查一篇AI写的行业报告,发现里面把2023年的用户增长率写成了2025年的预测数据。更离谱的是,引用的政策文件号都是错的。现在AI生成内容速度快是快,但这种硬伤要是直接发出去,读者信了才真叫坑人。今天就掰开揉碎了说,AI写作怎么做好事实核查,别让你的头条文章变成 误导重灾区 。​📌AI写

655 2025-10-08
10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

🎯维度一:选题像打靶,靶心必须是「用户情绪储蓄罐」做内容的都清楚,10w+爆文的第一步不是写,是选。选题选不对,后面写得再好都是白搭。高手选选题,就像往用户的「情绪储蓄罐」里投硬币,投对了立刻就能听到回响。怎么判断选题有没有击中情绪?看三个指标:是不是高频讨论的「街头话题」?是不是藏在心里没说的「抽

692 2025-10-08
135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

📌135编辑器会员值不值得买?AI模板库和秀米H5谁更胜一筹?🔍135编辑器会员的核心价值解析企业级商用保障与效率提升135编辑器的企业会员堪称新媒体运营的「合规保险箱」。根据实际案例,某团队通过企业会员节省了大量设计费用,完成多篇内容创作,单篇成本从千元降至百元内。这得益于其海量正版模板和素材库,

373 2025-10-08
新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及2025恢复指南🔍新公众号限流的核心原因解析新公众号被限流,往往是多个因素叠加的结果。根据2025年最新数据,超过70%的限流案例与内容质量直接相关。比如,有些新手喜欢用“震惊体”标题,像“惊!某公众号三天涨粉十万”,这类标题在2025年的算法里已经被明确标记

737 2025-10-08
AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

⚠️AI内容重复率高的3大核心原因现在用AI写东西的人越来越多,但很多人都会遇到同一个问题——重复率太高。明明是自己用工具生成的内容,一检测却显示和网上某些文章高度相似,这到底是为什么?最主要的原因是AI训练数据的重叠性。不管是ChatGPT还是国内的大模型,训练数据来源其实大同小异,都是爬取的互联

616 2025-10-08
135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

🌟135编辑器:公众号运营者的效率革命做公众号运营的朋友都知道,排版是个费时费力的活。一篇文章从内容到排版,没几个小时根本搞不定。不过现在好了,135编辑器的出现,彻底改变了这一现状。135编辑器是提子科技旗下的在线图文排版工具,2014年上线至今,已经成为国内新媒体运营的主流工具之一。它的功能非常

264 2025-10-08