Diego Navarro

简介: Born in Tenerife in 1972, Diego Navarro performs his first composition at the age of 13 and at 21 he conducts an orchestra for the first tim 更多>

Born in Tenerife in 1972, Diego Navarro performs his first composition at the age of 13 and at 21 he conducts an orchestra for the first time. After some self-taught years in guitar and piano, he starts his official studies in Santa Cruz de Tenerife´s Higher Conservatoire. After three years, he begins his studies with David Goldsmith and the Trinity College of London, obtaining the highest grades in his piano exams. In 1996, the Berklee College of Music grants him the “Outstanding Musicianship Award” together with a scholarship given by the Composition Department. In December 2000 he passes the Advanced Certificate in Piano with the Associated Board of the Royal Schools of Music.
Navarro, musician of great classical background and versatility, combines composition for concerts and film scoring, He scores, orchestrates and conducts his music. His job has been appraised and highly recommended by famous orchestra conductors such as Peter Maag, Antoni Ros Marbá and prestigious musicians like David Paul Martin, Ray Santisi, etc.
In 2002, Navarro composed, orchestrated and conducted the original soundtrack of Puerta del Tiempo (Time Gate), a cartoon feature film based on the drawings of Spain's most respected and prestigious illustrator and cartoonist: Antonio Mingote. Navarro has personally taken care of the whole musical production, making the most ambitious original soundtrack ever recorded in Spain, with 130 professionals. Navarro has made a new breach in film score recording in Spain. This work, edited by Filmscore, was a candidate for the 8th edition of the Music Awards (SGAE-SPAIN) in the category of “Best Film Score Album”, given by he Spanish Music Academy. He has obtained good critics and reviews in national and international press, including prestigious magazine Film Score Monthly.
In March 2004, during the 6th Film and Audiovisual Production Conference in the Canary Islands (Spain), he is granted an award (Guanche de Cine) for the composition of “Time Gate” and as a recognition of his career.
In 2005 he worked for an Italian-Spanish co-production of Columbia Pictures-Sony. He also composed, orchestrated and produced the original music for the documentary film Mira la luna (Look at the moon), directed by Eduard Bosch and produced by prestigious Elias Querejeta. It was filmed in the United States and narrates the life of the astronaut Miguel López Alegría before and after a mission to space with the Endeavour space shuttle.
In 2005 Diego Navarro and his friend and clarinettist Michael G. Kirby create a new project, devoted to the recording of film soundtracks with a new symphony orchestra formed by professionals and prestigious musicians: The Tenerife Film Orchestra & Choir (TFO & CHOIR). This is the first time a Spanish orchestra officially becomes part of the film industry. He is the Artistic Director and Recording Producer of the orchestra.
Diego Navarro's biggest project in 2007 was the composition, orchestration and conducting of the musical score of Oscar. Una pasión surrealista (Oscar, the color of destiny), a biopic about the Canarian surrealist painter Oscar Dominguez. This ambitious co-production was produced and directed by Lucas Fernández. This soundtrack was recorded with the Tenerife Film Orchestra & Choir.
Besides, Navarro is the director and the father of the Tenerife International Film Music Festival (FIMUCITÉ), which started its first edition in 2007 obtaining great success (www.fimucite.com). In Fimucité 1 (2007) Diego Navarro conducted the TFO & CHOIR, performing the music of one of the guest composers: Mychael Danna. He had the honor to share the stage, during the closing concert, with Don Davis (The Matrix Trilogy, etc). In Fimucité 2 (2008) he also conducted the TFO & CHOIR playing some world premières and releases: Ironman (Djawadi), Spiderman 3 (Christopher Young), Perfume, the story of a murderer (Reinhold Heil, Johny Klimek and Tom Tykwer), a four-mouvement suite from 2001, a Space Odyssey from Alex North and other pieces from John Williams and Jerry Goldsmith.
In November 2008 he conducts the Malaga’s Symphony Orchestra at Teatro Cervantes including in his program Mira la Luna, Puerta del Tiempo and Ironman’s suite.
In early 2009 FIMUCITÉ establishes a tight collaboration with the Krakow Film Music Festival (Poland www.fmf.fm) creating the first European film music festival circuit. Navarro had the honor to be the guest conductor of the Krakow Symphony Orchestra and the Polish National Radio Choir at the Blonia Fields in Krakow with an estimated audience of 7,000 people. The main theme of the concert was Perfume, the story of a murderer, with the director Tom Tykwer’s attendance together with composers Johny Klimek and Tom Tykwer. Navarro also conducted Spiderman 3, Ironman and the Matrix Revolutions, all played in FIMUCITÉ’s past editions.
Diego Navarro is a member of the Academia de las Ciencias y Artes Cinematográficas de España (Spain’s Film Academy), the SGAE (The Spanish society of composers, authors and editors), Musimagen (Association of composers for the audiovisual), and the A.I.E. (Spanish society of artists and musicians). Navarro is currently the Canary Island's most widely known film music composer, and also one of Spain's most promising talents in Filmscoring.

Diego Navarro的歌

推荐资讯

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 📝 为什么每个创作者都需要专属选题素材库?做内容创作的人,大概都遇到过这种情况:灵感来了的时候文思泉涌,可没灵感的时候盯着屏幕半天写不出一个字。更...

501 2025-08-29
公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

你可能觉得公众号注册就是填几个信息的事,殊不知,这里面的每个选择都像蝴蝶扇动翅膀,未来三年的运营轨迹可能就被悄悄改变了。很多人刚开始没当回事,等到后面想调整,才发现处处受限,那叫一个后悔。今天就跟你好好聊聊,注册时那些看似不起眼的选择,到底能给未来的运营带来多大影响。​📌账号类型选不对,三年运营路难

186 2025-08-29
2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

📌 2025 公众号托管服务的底层逻辑:不是代运营,是 “结果交付” 这年头做公众号托管,还只停留在帮客户发文章、改排版?趁早别干了。2025 年的托管服务早就变了味儿 —— 客户要的不是 “做了什...

837 2025-08-29
AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

上周帮同事核查一篇AI写的行业报告,发现里面把2023年的用户增长率写成了2025年的预测数据。更离谱的是,引用的政策文件号都是错的。现在AI生成内容速度快是快,但这种硬伤要是直接发出去,读者信了才真叫坑人。今天就掰开揉碎了说,AI写作怎么做好事实核查,别让你的头条文章变成 误导重灾区 。​📌AI写

924 2025-08-29
10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

🎯维度一:选题像打靶,靶心必须是「用户情绪储蓄罐」做内容的都清楚,10w+爆文的第一步不是写,是选。选题选不对,后面写得再好都是白搭。高手选选题,就像往用户的「情绪储蓄罐」里投硬币,投对了立刻就能听到回响。怎么判断选题有没有击中情绪?看三个指标:是不是高频讨论的「街头话题」?是不是藏在心里没说的「抽

115 2025-08-29
135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

📌135编辑器会员值不值得买?AI模板库和秀米H5谁更胜一筹?🔍135编辑器会员的核心价值解析企业级商用保障与效率提升135编辑器的企业会员堪称新媒体运营的「合规保险箱」。根据实际案例,某团队通过企业会员节省了大量设计费用,完成多篇内容创作,单篇成本从千元降至百元内。这得益于其海量正版模板和素材库,

307 2025-08-29
新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及2025恢复指南🔍新公众号限流的核心原因解析新公众号被限流,往往是多个因素叠加的结果。根据2025年最新数据,超过70%的限流案例与内容质量直接相关。比如,有些新手喜欢用“震惊体”标题,像“惊!某公众号三天涨粉十万”,这类标题在2025年的算法里已经被明确标记

561 2025-08-29
AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

⚠️AI内容重复率高的3大核心原因现在用AI写东西的人越来越多,但很多人都会遇到同一个问题——重复率太高。明明是自己用工具生成的内容,一检测却显示和网上某些文章高度相似,这到底是为什么?最主要的原因是AI训练数据的重叠性。不管是ChatGPT还是国内的大模型,训练数据来源其实大同小异,都是爬取的互联

341 2025-08-29
135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

🌟135编辑器:公众号运营者的效率革命做公众号运营的朋友都知道,排版是个费时费力的活。一篇文章从内容到排版,没几个小时根本搞不定。不过现在好了,135编辑器的出现,彻底改变了这一现状。135编辑器是提子科技旗下的在线图文排版工具,2014年上线至今,已经成为国内新媒体运营的主流工具之一。它的功能非常

459 2025-08-29