Garageland

简介: by Joslyn LayneThere was quite a buzz surrounding New Zealand indie pop band Garageland before their second full album was even released ou 更多>

by Joslyn LayneThere was quite a buzz surrounding New Zealand indie pop band Garageland before their second full album was even released outside of N.Z. Starting out with relatively low expectations (they were shocked when they started getting airplay on a college station) and almost no live shows during the first few years, Garageland kicked into high gear in the mid-'90s and happily found a growing audience for their music and some critical acclaim along the way.
The band's roots go back to July, 1992, when guitarist/vocalist Jeremy Eade, bassist Mark Silvey, and drummer Andrew Gladstone played their first gig together. Their second gig happened a year later, and by this time the group had added guitarist Debbie Silvey. Two years later, Garageland (named after a Clash song) got a break: opening for the Clean, they met people from the New Zealand label Flying Nun. After signing to Flying Nun, Garageland covered "Dancing Queen" for the label's ABBA tribute, recorded an EP of their own, and went on their first Australian tour. This first EP, Come Back (1995), did quite well in New Zealand, charting in the Top 20.
The band's full-length debut, Last Exit to Garageland, followed a year later and broke into the Top Five on the country's charts. The supporting tour took Garageland to Australia, France, and the U.K. The Auckland-based band moved to England in early 1997, but Debbie Silvey chose to stay behind. Once the group settled in, they met guitarist Andrew Claridge, who promptly joined on. Garageland proceeded to embark on several tours that year, hitting France with DEUS, touring England several times with bands including Swell, and traveling to North America twice -- the first time with Swervedriver and a couple of months later with Tanya Donelly. 1997 also saw the U.K. and U.S. release of Last Exit to Garageland and several European festival appearances by the band.
The group returned to New Zealand for a tour in early 1998, then went to the U.S. yet again, this time on tour with Spacehog and for a slot in the South by Southwest (SXSW) festival lineup. After this, Garageland gigged less (and, according to them, partied more) for several months, not getting around to thinking about their second album until later that year. January, 1999, took the band on a brief Australasian tour as part of the Big Day Out Festival, immediately followed by the recording of their second album, Do What You Want, at the Auckland home studio of former Split Enz member and Crowded House leader, Neil Finn. By this time, Garageland had relocated to New Zealand. Repeating their debut's success, Do What You Want (Flying Nun, 1999) went gold in New Zealand by the time of its U.S. release on the Foodchain label. Garageland's music has been lauded by U.K. music publications including Melody Maker and NME, and U.S. magazines Magnet and CMJ, breaking into the Top 50 of the latter's college radio charts. By 2001, Claridge was replaced with guitarist Sweet Baby Dave Goodison.

Garageland的歌

推荐资讯

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 - 第五AI

如何建立自己的选题素材库?让素材库成为你的第二大脑 📝 为什么每个创作者都需要专属选题素材库?做内容创作的人,大概都遇到过这种情况:灵感来了的时候文思泉涌,可没灵感的时候盯着屏幕半天写不出一个字。更...

153 2025-10-06
公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

公众号注册的“蝴蝶效应”:一个选择,可能影响未来三年的运营 - 前沿AIGC资讯

你可能觉得公众号注册就是填几个信息的事,殊不知,这里面的每个选择都像蝴蝶扇动翅膀,未来三年的运营轨迹可能就被悄悄改变了。很多人刚开始没当回事,等到后面想调整,才发现处处受限,那叫一个后悔。今天就跟你好好聊聊,注册时那些看似不起眼的选择,到底能给未来的运营带来多大影响。​📌账号类型选不对,三年运营路难

100 2025-10-06
2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

2025公众号托管服务方案,赚钱技巧与内容代运营全面升级 - 第五AI

📌 2025 公众号托管服务的底层逻辑:不是代运营,是 “结果交付” 这年头做公众号托管,还只停留在帮客户发文章、改排版?趁早别干了。2025 年的托管服务早就变了味儿 —— 客户要的不是 “做了什...

918 2025-10-06
AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

AI写作如何进行事实核查?确保头条文章信息准确,避免误导读者 - AI创作资讯

上周帮同事核查一篇AI写的行业报告,发现里面把2023年的用户增长率写成了2025年的预测数据。更离谱的是,引用的政策文件号都是错的。现在AI生成内容速度快是快,但这种硬伤要是直接发出去,读者信了才真叫坑人。今天就掰开揉碎了说,AI写作怎么做好事实核查,别让你的头条文章变成 误导重灾区 。​📌AI写

222 2025-10-06
10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

10w+阅读量爆文案例拆解分析:高手都从这5个维度入手 - AI创作资讯

🎯维度一:选题像打靶,靶心必须是「用户情绪储蓄罐」做内容的都清楚,10w+爆文的第一步不是写,是选。选题选不对,后面写得再好都是白搭。高手选选题,就像往用户的「情绪储蓄罐」里投硬币,投对了立刻就能听到回响。怎么判断选题有没有击中情绪?看三个指标:是不是高频讨论的「街头话题」?是不是藏在心里没说的「抽

821 2025-10-06
135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

135编辑器会员值得买吗?它的AI模板库和秀米H5比哪个更丰富? - AI创作资讯

📌135编辑器会员值不值得买?AI模板库和秀米H5谁更胜一筹?🔍135编辑器会员的核心价值解析企业级商用保障与效率提升135编辑器的企业会员堪称新媒体运营的「合规保险箱」。根据实际案例,某团队通过企业会员节省了大量设计费用,完成多篇内容创作,单篇成本从千元降至百元内。这得益于其海量正版模板和素材库,

212 2025-10-06
新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及 2025 恢复指南 - AI创作资讯

新公众号被限流怎么办?粉丝增长影响分析及2025恢复指南🔍新公众号限流的核心原因解析新公众号被限流,往往是多个因素叠加的结果。根据2025年最新数据,超过70%的限流案例与内容质量直接相关。比如,有些新手喜欢用“震惊体”标题,像“惊!某公众号三天涨粉十万”,这类标题在2025年的算法里已经被明确标记

600 2025-10-06
AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

AI内容重复率太高怎么办?掌握这些技巧轻松通过AIGC检测 - AI创作资讯

⚠️AI内容重复率高的3大核心原因现在用AI写东西的人越来越多,但很多人都会遇到同一个问题——重复率太高。明明是自己用工具生成的内容,一检测却显示和网上某些文章高度相似,这到底是为什么?最主要的原因是AI训练数据的重叠性。不管是ChatGPT还是国内的大模型,训练数据来源其实大同小异,都是爬取的互联

721 2025-10-06
135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

135编辑器让排版更简单 | 专为公众号运营者设计的效率工具 - AI创作资讯

🌟135编辑器:公众号运营者的效率革命做公众号运营的朋友都知道,排版是个费时费力的活。一篇文章从内容到排版,没几个小时根本搞不定。不过现在好了,135编辑器的出现,彻底改变了这一现状。135编辑器是提子科技旗下的在线图文排版工具,2014年上线至今,已经成为国内新媒体运营的主流工具之一。它的功能非常

518 2025-10-06